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The Balaĝ of Utu from Geneva
First English translation. A Vigslist translation.
October 22, 2026 · MAH 16066
The Balaĝ of Utu from Geneva. A balaĝ to the sun god: an aromatics-trade inquiry, a bedchamber prepared by Utu's vizier, a dialogue of Utu and Inana fixing days and months, and a god-litany of 110 lines by its own count.
First English translation. The edition of record is Antoine Cavigneaux, Journal of Cuneiform Studies 74 (2022), pp. 35–61 (French). No English translation of this text has been published before this page.
A witness reading in the house format. Published 2026-10-22; printed in Vigslist Translations (Piece 9, DOI 10.5281/zenodo.23587830).
Identification
- Tablet: MAH 16066 — Musée d'Art et d'Histoire, Geneva. Old Babylonian, provenance unrecorded (the Geneva MAH Old Babylonian tablets are generally from looted Ur/Larsa-region contexts; this one is not provenanced on its face).
- Composition: a balaĝ liturgy to the sun god Utu, closed by its own rubric (rev. iii 17): balaŋ ᵈutu — "A balaĝ of Utu." Unique: no duplicate of the composition is known.
- Structure (per the edition): three "narrative" kirugu sections originally totalling ~70 lines — an aromatics-trade inquiry, a bedchamber prepared by Utu's vizier (the labar), and a primordial dialogue between Utu and his sister Inana around the fixing of days and months — followed by a long god-litany whose closing marker counts it at 110 lines (rev. iii 13), ending in the ama šud₃-de₃ ("may the mother pray") refrain and a benediction on the Ebabbar, Utu's temple at Larsa.
- Text source: the transliteration served by the ORACC project OBEL (Old Babylonian Emesal Liturgies, dir. Veldhuis), read in full from this desk 2026-10-22 (interlinear page, transliteration + lemma glosses; OBEL serves no English translation for this text).
Prior publication — the doors, on the face
1. Editio princeps: Antoine Cavigneaux, "Un Balag du dieu soleil Utu (MAH 16066)," Journal of Cuneiform Studies 74 (2022), pp. 35–61. Edition and translation in French. Under the program's English-first rule, a French-only edition is a verification eyeball, not a bar: no English translation of this composition has been published anywhere found tonight. Cavigneaux is credited as the text's editor; the restorations in [brackets] in the transliteration are his, made from the parallel OB litanies, and are carried here as his.
2. Peterson & Baragli, "Utu and Inana: A Sumerian Cultic Song…" (edition of the different tablet CBS 13978(+)) discusses MAH 16066's narrative sections in English prose and translates no part of it line by line. Noted here so the claim below is read exactly.
3. OBEL's team states the project's aim as transliteration and translation of the whole OB Emesal corpus; this text's translation has not appeared there as of tonight. If it does, this claim lapses for the covered lines.
Counts
105 served line-units (the tablet's own closing tally claims 181 lines for the complete composition; the preserved text is what is read here). Rev. i lines 1–5 are lost before the preserved litany begins and are not in the 105.
- Whole: 30 — fully preserved and construed.
- Part: 42 — construed with gaps, or with editor-restored stretches (all 18 preserved lines of rev. i are in this class and are marked "restored" in the body).
- Fragment: 31 — preserved words rendered, nothing completed.
- Notation lines carried, not rendered: 2 (the "First kirugu" and "Second kirugu" markers inside obv. ii 2′ and 7′; a third marker falls in obv. ii 17′ and is noted there).
- Invented: 0.
The reading
Obverse, column i — the aromatics inquiry (1st kirugu)
- i 1′–3′. … he hung (it) … (fragment ×3 — the repeated verb la₂, "to hang/weigh out," is all that stands)
- i 4′–8′. … aromatics … followed … (fragments — the word šim, "aromatics," recurs down the broken lines)
- i 9′. … cedar … (fragment)
- i 10′. The man … went. (fragment)
- i 11′. The mother … went. (fragment)
- i 12′. The merchant … buys and buys. (part)
- i 13′. … aromatics … he buys and buys. (part)
- i 14′. … flour … in the bedchamber … he buys and buys. (part)
- i 15′. He placed (it) in the bedchamber … (part)
- i 16′. My minister (the labar), the slave-girl … agreed with him … (part)
- i 17′. "What belongs to your minister lies on the roof — you shall indeed have it." (part)
- i 18′. The aromatics of my land, the cedars of my land — his son was laid down for him (in the bedchamber). (part)
- i 19′. The man — in the pure place there were a cow and fodder — spread (the bedding) out for him. (part)
Obverse, column ii — the primordial dialogue (2nd–3rd kirugu)
- ii 1′. Hero … (fragment)
- ii 2′. Youth Utu, the city … (fragment) — then the notation: "First kirugu."
- ii 3′. "Ah, young man!" … (fragment — a voice opens the dialogue)
- ii 4′. An did … the place did … (fragment)
- ii 5′. "Like what I do, what I do …" (fragment)
- ii 6′. "That thing of former days … what I do …" (fragment)
- ii 7′. "My hands … washed clean …" (fragment) — then the notation: "Second kirugu."
- ii 8′. "Ah, young man!" … (fragment)
- ii 9′. "That thing of former days …" (fragment)
- ii 10′. On that day, on that day … (part)
- ii 11′. That day — that distant day … (part)
- ii 12′. That night — that distant night … (part)
- ii 13′. "I am the handmaid …" (fragment)
- ii 14′. In that place, a clamour … (fragment)
- ii 15′. The day … the branch … the day … (fragment)
- ii 16′. With the moon, when the day had lain down … (part)
- ii 17′. … (fragment) — the notation falls in this line: "Third kirugu."
- ii 18′–19′. … the lord … the man … / … his heart … (fragments)
- ii 20′. Enki and Ninki … (part — the litany of divine pairs begins)
- ii 21′. Endašurima and Nindašurima (part, names whole)
- ii 22′. Endu-kuga and Nindu-kuga (part, names whole)
- ii 23′. The mother, Ninlil — [the father, Mullil (Enlil)] (part)
Reverse, column i — the litany (continued)
(lines 1–5 lost)
- i 6. She called out: "[…] Lady-of-Nippur (Gašan-Nibru)!" (part, restored)
- i 7. Nab, [first-born son of Lady-Mangara (Gašan-Maŋara)] (part, restored)
- i 8. Nuska, [great one, udug-demon of the Ekur] (part, restored)
- i 9. The mother of the house — [Sadarnuna] (part, restored)
- i 10. Šelah … [udug-demon of the Ešara] (part, restored)
- i 11. Alad-saga, [splendour of heaven] (part, restored)
- i 12. The child, the great prince [of heaven, Suen] (part, restored)
- i 13. The zirru-priestess [Nanna, spouse of Nanna] (part, restored)
- i 14. The great overseer [Mullil-zid] (part, restored)
- i 15. Enbune, [son of the Ešaba] (part, restored)
- i 16. Youth [Utu, lord of the mountains] (part, restored)
- i 17. Gašan-gal, [mother of Utu] (part, restored)
- i 18. Gašan-anna, [the solitary one, the hero] (part, restored)
- i 19. […] her husband, Ušumgal-anna — the Great Dragon of Heaven. (part, restored) ⚑ DRAGON — see flag note below.
- i 20. [The mother], the lord — Gašan-sumuna (part, restored)
- i 21. The lord, the junior lord — Namnun (part, restored)
- i 22. The in-law of heaven — Mutin-anna (part, restored)
- i 23. The Tigris, [filled with abundance] (part, restored)
Reverse, column ii — the litany (continued)
- ii 1. Lord Indagara, the ox, the calf … (fragment)
- ii 2. Šerda, lord, youth of battle … (fragment)
- ii 3. Son of the house, Lord Karnuna … (part)
- ii 4. Gašan-mug, fruitful … (fragment)
- ii 5. Lord Erigal the great, lord of the Egida (whole)
- ii 6. Erragal — his voice fills the sky. (whole)
- ii 7. Lama-saga — the street, the shade of the steppe. (whole)
- ii 8. Ninimma; Kug-sig-banda. (whole — names)
- ii 9. Lord Amake — by name he called … the flood. (part)
- ii 10. The speckled woman, Ababa-saga. (whole — name and epithet)
- ii 11. Lord Pirig, of the Emes, son of the Abzu. (whole)
- ii 12. Ezina; Kusug — pure, the slender people. (part)
- ii 13. Lord Saza; Sud, son of the prince. (whole)
- ii 14. The udug-demon of my city — sevenfold hero. (part)
- ii 15. The lamb; her husband, the virile hero. (whole)
- ii 16. From house to house, the people of the pure place. (part)
- ii 17. Lord of the land, prayer of heaven. (part)
- ii 18. Lord Azu; lord of the Egida. (whole)
- ii 19. Gašan-girida; Lord Muzida. (whole — names)
- ii 20. Irda, hero; Gašan-meme-erša. (whole — names)
- ii 21. Mother of the storeroom; Gašan-tin-luba. (whole)
- ii 22. Secretary of heaven; Gašan-šubur. (whole)
- ii 23. Recorder of heaven; Gašan-Isina. (whole)
- ii 24. Pabilsag, lord of Larag … (part)
- ii 25. [Gunura] … wood … (fragment)
Reverse, column iii — the closing benediction
- iii 1. The Anuna gods of heaven take their stand. (whole)
- iii 2. The Anuna gods of earth take their stand. (whole)
- iii 3. The bolt of Nippur, the bolt set in Nippur. (whole)
- iii 4. May the mother pronounce the prayer — in the temple. (whole, refrain line)
- iii 5. May the mother pronounce the prayer — in Nippur. (whole)
- iii 6. May the mother pronounce the prayer — in the Ekur. (whole)
- iii 7. May the mother pronounce the prayer — in Kiur. (whole)
- iii 8. May the mother pronounce the prayer — in Ešumeša. (whole)
- iii 9. May the mother pronounce the prayer — in sweet Uruk. (whole)
- iii 10. May the mother pronounce the prayer — in Ur. (whole)
- iii 11. May the mother pronounce the prayer — in Larsa. (whole)
- iii 12. May the mother pronounce the prayer — for the gods and the people. (whole)
- iii 13. 110 (lines) — the fourth kirugu. (whole — the tablet's own count for the litany)
- iii 14. May this prayer come back upon the brickwork of the Ebabbar. (whole)
- iii 15. That is its concluding section (kišuš). (whole)
- iii 16. Total: 3 sixties and 1 — such is its count. (part — the scribal tally, 181 lines for the whole composition)
- iii 17. A balaĝ of Utu. (whole — the rubric)
⚑ Dragon flag (for Richard, by name)
Rev. i 19: ᵈušumgal-an-na — Ušumgal-anna, "Great Dragon of Heaven" — stands in the litany as a god, named as a goddess's husband ("her husband, Ušumgal-anna"). The lemma in ORACC's own glossing reads the name as Ama-ušumgal-anna. This is the same divine name the program met on the Istanbul shelf — {ᵈ}ama-ušumgal-an-na on Ni 09828 and the ušum-gal-an gloss line on Ni 04189 (Story Wave 4). Here he is not Dumuzi's epithet in a lament but a litany god in an Old Babylonian balaĝ to the sun god, a thousand years of transmission away from the Nineveh copies. The word in the line is partly restored from the parallel litanies — the name itself is the editors' restoration and is flagged as such in the counts (part, restored).
Honest limits
- The obverse narrative (kirugu 1–3) is the worst-preserved part of the tablet: most of its lines are fragments here, and the connected story (the trade inquiry, the bedchamber, the Utu–Inana dialogue) is known in outline from Cavigneaux's French summary, not reconstructed in the English above. Nothing has been completed from the French.
- Rev. i is heavily restored from parallel litanies by the editors; those lines are classed "part (restored)" and must not be quoted as if fully preserved on this tablet.
- This reading is built from ORACC's served transliteration and lemma glosses only; no photograph of MAH 16066 was consulted (the tablet is in Geneva; the edition's copies stand behind the transliteration).
Vigslist translations — internal build. Publication waits on Richard's read and green light, per program law.
Nuvira Technologies conducts this research with AI assistance, cross-verified against the primary sources to scholarly integrity standards. Uncertain readings are marked; broken lines are left broken.
— Richard Vigslist, Founder, Nuvira Technologies
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